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How to prepare your Logic Pro project for your mixing engineer
Learn how to use Selection-Based Processing to apply plug-in processing to audio regions in Logic Pro With Selection-Based Processing, you can apply plug-in processing directly to one or more audio regions.
Logic Pro creates a new file of the processed regions, and leaves the original files available in case you want to revert back to the originals. You can use any of the plug-ins included with Logic Pro, as well as Audio Units plug-ins from developers other than Apple. Selection-Based Processing is separate from any plug-ins that might exist on a track's channel strips.
You can select and process a part of a region, a whole region, or regions across multiple tracks. In the Selection-Based Processing window, you can set up two separate plug-ins chains, labeled "A" and "B" in the window. You can then toggle between the two plug-in chains and preview how the region will sound after processing. You can insert up to 15 plug-ins in each chain. You can choose complete channel strip settings, or you can insert individual plug-ins.
You can work with Selection-Based Processing channel strip settings the same way you work with standard channel strip settings. To adjust the gain of the region after it's processed, click the Gain pop-up menu and choose one of the following:. You can preview how your plug-ins or channel strip settings will affect your audio before applying the processing. Select the plug-in chain you want to preview, then click the Prelisten icon. Click the Gear icon to set options for Prelisten:.
You can bypass an entire plug-in chain by clicking the Bypass button at the top of the plug-in chain. You can bypass an individual plug-in by clicking its Bypass button in the slot. You can set how Logic Pro places audio regions in the Tracks area after you've applied processing:. After you've set all your options, select the plug-in chain that you want to use, then click Apply. You can undo any processing by clicking Undo.
You can also quickly apply the same processing to other selected regions. Information about products not manufactured by Apple, or independent websites not controlled or tested by Apple, is provided without recommendation or endorsement.
Apple assumes no responsibility with regard to the selection, performance, or use of third-party websites or products. Apple makes no representations regarding third-party website accuracy or reliability. Contact the vendor for additional information. Apply plug-in effects to audio regions in Logic Pro Learn how to use Selection-Based Processing to apply plug-in processing to audio regions in Logic Pro To use Selection-Based Processing: Select audio regions Choose channel strip settings or plug-ins Adjust the gain of the processed region Preview the processing Set how Logic Pro handles the processed audio regions Apply the processing.
Select audio regions You can select and process a part of a region, a whole region, or regions across multiple tracks. Select one or more audio regions in the Tracks area or the Audio Track Editor, or use the Marquee tool to select parts of one or more regions in the Tracks area. The Selection-Based Processing window opens. Choose channel strip settings or plug-ins In the Selection-Based Processing window, you can set up two separate plug-ins chains, labeled "A" and "B" in the window.
To choose a channel strip setting: Under "Plug-ins," select the chain in which you want to insert a setting or a plug-in so it is highlighted blue. To insert an individual plug-in: Click a slot in either plug-in chain and choose a plug-in from the menu.
Adjust the gain of the processed region To adjust the gain of the region after it's processed, click the Gain pop-up menu and choose one of the following: No Change: The volume of the original source and the settings of the plug-ins determine the gain of the resulting audio file. Loudness Compensation: Logic Pro adjusts the volume of the processed file to match the original source recording.
Overload Protection: If necessary, Logic Pro reduces volume just enough to prevent digital clipping. If peaks don't exceed the clipping threshold, then Logic Pro doesn't change the gain. Normalize: The volume of the processed file is adjusted so that the peaks fall just below the digital clipping threshold. This option would typically only be used on an entire region.
Preview the processing You can preview how your plug-ins or channel strip settings will affect your audio before applying the processing. Click the Gear icon to set options for Prelisten: Prelisten enables Solo: Solos the region when prelistening. Prelisten enables Cycle: Loops the selected region or marquee selection. Set how Logic Pro handles the processed audio regions You can set how Logic Pro places audio regions in the Tracks area after you've applied processing: Split at Marquee Borders: This option is available if you've selected part of a region for processing.
When you select this option, Logic Pro creates a new audio file that encompasses only the length of the marquee selection.
When you select this option, Logic Pro creates a take folder that contains both the processed and unprocessed regions. Add Effect Tail: This option is available if you've selected a part of a region for processing. When you select this option, Logic Pro creates a region that includes any effect tail that may extend beyond the selection. However, the right border of the region is set at the marquee selection location. If the marquee selection is beyond the rightmost border of the region, the tail continues to its natural length.
You can adjust the border to reveal the effect tail in the region. Apply processing After you've set all your options, select the plug-in chain that you want to use, then click Apply. Published Date: December 04, Yes No. Character limit: Maximum character limit is Start a discussion in Apple Support Communities. Ask other users about this article Ask other users about this article.
Logic pro x merge audio regions free
It will not change any of your routing or panning. If you save your channel strip settings as a performance, you can give it a program change number, which can then be triggered by your MIDI controller keyboard as a program change, which is useful for live performance applications or having more creative control over your instrument tracks. For example, if you wanted to trigger a snare track with a particular channel setting as part of a live backing track, click on Setting in the Channel Strip view and then choose Save As Performance.
A dialogue box will pop up where you can name the program and give it a program change number. Since channel strip performances can be changed with your MIDI controller keyboard, this also lets you switch performances during playback by simply pressing a key. Bouncing an audio or instrument track in place renders the track with its effects or instruments, as well as its routing. You can either leave, mute, or delete the original track. You can bounce audio regions on each track, which is useful if you have several audio regions you want to consolidate.
By default, Logic names each audio region according to the track name and the take, which is not very memorable and can get confusing very fast.
For example, you can set up an external drive to use Time Machine and also sign up for a cloud-based storage service such as Google Drive or Dropbox. Ultimately, everyone has their own way of working in Logic Pro X depending on what type of music they make. Click on the small number above a compilation track and click 'Flatten and Merge. Under the 'File' menu, you will see the 'Project Management' section. In 'Project Management,' click on 'Clean up' to delete unused files, backups, and media browser files.
There will still be unused files even after you cleaned them up. Open the 'Browsers' from the right corner of Logic Pro or by clicking F.
In the 'Project' section, click 'Edit' and 'Select Unused. You have to bounce your midi tracks not just for saving CPU but also your mixing engineer maybe doesn't have the synth or drum machine you use. You will find a 'Bounce' section in the 'File' menu. Click 'Regions in Place' to bounce your midi tracks. Select 'Leave' in the 'Source' section. This way is better because we would want to change the parameters of those plugins afterward.
You can keep all your stock plugins on your project, but you have to be sure your mixing engineer has the third-party plugins that you use on that project. Ask him if he has those plugins. If he doesn't, bounce in place the tracks that have those third-party plugins on it. Click on the track that you want to bounce in. In the 'File' window, in the section of 'Bounce,' you will see 'Track in Place. Do not checkmark 'Bypass effects and plugins' so you can bounce those plugins. I think most of us know that one, but it's still crucial.
After you've done all of these cleaning processes, make sure your tracks named logically. Audio 1 name doesn't have any meaning for others. This is the most important part because your mixing engineer can't open your project correctly if you've done it wrong. Click 'Save As' in the 'File' window. Select 'Folder' option.
Checkmark all the options belove to make sure you're saving all the crucial data in your project. Send him the folder that you've just created. That's it. Now you're ready to send your Logic Pro project to your mixing engineer.
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